Hannibal Andersen creates images, objects, and interventions that probe the tenets of economic dogma and its impact on society. Through themes such as money, debt, property relations, the commons, and the relentless advance of privatization, his work wryly examines the invisible power of capital and the ideology that sustains it.
Andersen’s work has appeared in a wide range of contexts, including Malmö Konsthall, P.A.D. Projects in New York, MAXXI in Rome, PET in Athens, and several institutions in Denmark — including Rønnebæksholm, Den Frie, Vermilion Sands, and Kunsthal Charlottenborg, among others.
instagram.com/hannibal_andersen
Portfolio
CV
Drain The Öresund, Malmö Konsthall
Forbes (review): "These Colors Are Corporate Trademarks. A Danish Artist Coopted Them To Make A More Truthful Logo"
Berlingske: Interview med Hannibal Andersen
DR P1, Kulturen: "Hvem ejer farverne?" from 14:06
DR P1, Uden titel: #32 med Rosa Marie Frang
Radio4, Kræs (Interview): Fra 15:20
TV2 Lorry: "Kendte firmaer bruger farverne på dette gavlmaleri..."
Information.dk (anmeldelse): Kunstner udstiller, hvad der sker, når store virksomheder privatiserer vores sanser
Børsen (anbefaling): "Kan man eje en farve?"
Malmö Konsthal: Drain the Öresund
Til Vægs:
And Maybe Someday They'll Be Putting Up Something Else
Kunsthal Charlottenborg:
The Abstract Expression of Privatization
Vermilion Sands: Everything Under the Sun
Den Frie: På korte kontrakter
Artviewer.org: Art in Saxo Bank: An Informal Meeting
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